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Sous apparence
“Sous Apparence” by Marie-Agnès Gillot is one of the highlights in the contemporary dance calendar for the 2012-2013 season. Marie-AgnèsGillot, who has already a few works to her credit, is at last creating a work for the Paris Opera Ballet.
Sous apparence is the “transcription of an experience in a musical, visual and choreographic mode”. Marie-Agnès Gillot is experimenting pointe work, worn by both female and male dancers. The piece is about the paradox of appearances that are so closely linked to the stage: “We constantly play appearances, we are taken for what we are not. My search is about challenging myself to approach spirituality” she says.
Source : Ariane Bavelier