Agon

This argument-free ballet consists of a succession of dances for different formations that span from soli to quadruple trio and where the upbeat part is a pas de deux.
Ballet created on 1st December 1957 at the City Center in New York by the New York City Ballet.

Of the original project, imagined by Balanchine and Stravinsky, who wished to complete their two “Greek” ballets – Apollon Musagète (1927) and Orpheus (1948) with a third component, only the title “Agon” (which means “combat” in Greek) and the idea of a danced contest remain today.
Using serial writing, Stravinsky composed a suite of airs modelled on the dances of the French court of the 17th century (and from where he borrowed some names: sarabande, gaillard, branle). Created for eight female dancers and four male dancers, this argument-free ballet consists of a succession of dances for different formations that span from soli to quadruple trio and where the upbeat part is a pas de deux.

With subtle musicality, the choreography combines reminiscences of historic dance steps and ever-so refined, acrobatic, classical body language, with the characteristic Balanchine-touch (broken ankles and wrists, turns and twists on bent knees, projected movements of the pelvis, etc.). Danced on a bare stage, with dancers wearing only simple dance leotards and tights, this masterpiece of the 20th century repertoire is a perfect synthesis of Balanchine’s art.

Source : Dictionnaire de la danse – Philippe Le Moal – éd. Larousse