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Silence
Claude Brumachon
Icare
Claude Brumachon
Folie – rehearsal
Jean-Jacques Brumachon, Pauline Talon
D’Indicibles Violences
Claude Brumachon
Ellipse
Claude Brumachon
Embrasés
Claude Brumachon
Les Coquelicots Sauvages
Claude Brumachon
Texane
Claude Brumachon
Histoire d’Argan le Visionnaire
Claude Brumachon
Histoire d’Argan le Visionnaire
Claude Brumachon
Ashbury St.
Claude Brumachon
Phobos
Claude Brumachon
Folie
Claude Brumachon
Texane
Claude Brumachon
Absalon l’Insurgé
Claude Brumachon
Le Festin
Claude Brumachon
Folie
Claude Brumachon
Le Témoin
Claude Brumachon
Phobos
Claude Brumachon
La Fulgurance du Vivant
Claude Brumachon
La Fulgurance du Vivant
Claude Brumachon
Phobos
Claude Brumachon
Le Témoin
Claude Brumachon
The Manor
Claude Brumachon
Fragments d’Olympe
Claude Brumachon
Fragments d’Olympe
Claude Brumachon
Le Manoir
Claude Brumachon
La Suite Logique des Choses
Claude Brumachon
Légendaires
Claude Brumachon
Légendaires
Claude Brumachon
La Suite Logique des Choses
Claude Brumachon
Légendaires
Claude Brumachon
Filmed performances
Embrasés
Year of creation
1999
Year of production
2011
This is the only Claude and Benjamin duo in Claude Brumachon’s entire body of work. The only time they took the time to appear together on stage, together: complementary and contradictory, different rebellions united around Pasolini.
In homage to the master of protest, Embrasés surrounds itself with freedom. This insatiable need to show freedom being trampled on and existing is a recurring theme for Claude Brumachon.
In memory of the filmmaker, Embrasés is dressed in Italian costumes, black and grey, the pleasure of beauty and the taste of man.
Source: Burmachon-Lamarche (learn more)
Choreography
Film Director
Collection
Year of creation
1999
Year of production
2011
Choreography assistance
Performance
Duration
40′
Lights
Olivier Tessier
Original score
Bruno Billodeau
Production