This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Silence
Claude Brumachon
Icare
Claude Brumachon
Folie – rehearsal
Jean-Jacques Brumachon, Pauline Talon
D’Indicibles Violences
Claude Brumachon
Ellipse
Claude Brumachon
Embrasés
Claude Brumachon
Les Coquelicots Sauvages
Claude Brumachon
Texane
Claude Brumachon
Histoire d’Argan le Visionnaire
Claude Brumachon
Histoire d’Argan le Visionnaire
Claude Brumachon
Ashbury St.
Claude Brumachon
Phobos
Claude Brumachon
Folie
Claude Brumachon
Texane
Claude Brumachon
Absalon l’Insurgé
Claude Brumachon
Le Festin
Claude Brumachon
Folie
Claude Brumachon
Le Témoin
Claude Brumachon
Phobos
Claude Brumachon
La Fulgurance du Vivant
Claude Brumachon
La Fulgurance du Vivant
Claude Brumachon
Phobos
Claude Brumachon
Le Témoin
Claude Brumachon
The Manor
Claude Brumachon
Fragments d’Olympe
Claude Brumachon
Fragments d’Olympe
Claude Brumachon
Le Manoir
Claude Brumachon
La Suite Logique des Choses
Claude Brumachon
Légendaires
Claude Brumachon
Légendaires
Claude Brumachon
La Suite Logique des Choses
Claude Brumachon
Légendaires
Claude Brumachon
Fragments d'Olympe
Through the great mythological figures (Ulysses, Jason, Aphrodite, Demeter, Zeus…), starting points of this creation, Claude Brumachon raises questions about the foundations of our civilization.
Writing dance for children is to make accessible for them the very idea that the body is the receptacle of our aspirations: from our desires to our fears, from our loves to our failures, from our struggles to our successes. It is to give elements of response – not explanatory – to the intimate questions that they only dare ask themselves.
Myth is more than a tale, it is fundamentally in the construction of our civilisation and thus our way of life. The child demands it and immediately understands it.
Fragments d’Olympe is not a popularisation of mythology, but the staging – between bodies, masks and costumes, music and dance – of what Humanity means.
Source: Claude Brumachon (learn more)